Tom Reney

Jazz à la Mode Host

Tom has been producing Jazz à la Mode since 1984.  He began working in jazz radio in 1977 at WCUW, a community-licensed radio station in Worcester, Massachusetts. Before his career in radio began, Tom had many formative experiences hearing and meeting some of the icons of jazz and blues, all of which ignited his passion for sharing the music with others. Tom earned a BA from the University of Massachusetts, Amherst, where he majored in English and American Studies.

In addition to his hosting duties at New England Public Radio, Tom writes NEPR's jazz blog and produces our JazzBeat podcast, and lectures occasionally on music and cultural topics at UMass, Amherst, Smith, Hampshire, and Mt. Holyoke Colleges. He and his wife Margaret live in Holyoke.

Allison Miner at the New Orleans Jazz & Heritage Festival in 1991
The Times-Picayune

Here's a moving film tribute to Allison Miner, a beautiful spirit who made a major difference to the preservation and perpetuation of the musical culture of New Orleans between her arrival in the Crescent City in 1967 and her death in 1995 at age 46. Allison was instrumental in establishing the New Orleans Jazz & Heritage Festival, albeit with a sexist-driven subordinate role and title that she discusses in Amy Nesbitt's film.

Joseph Jarman
Marilyn Yee / The New York Times

Joseph Jarman, who died on Wednesday, January 9, at 81, was a free jazz icon best known for his long association with the Art Ensemble of Chicago. Born in Pine Bluff, Arkansas, and raised in Chicago, Jarman played woodwinds (saxophones, flutes, and clarinet) and was a founding member of both the Association for the Advancement of Creative Musicians and the AEC.

Duke Ellington's Azure

Jan 7, 2019
The Mediterranean Off the Coast of Sardinia, December 2018
David Reney

My brother David, who lives in Paris, took this photograph during a trip he made to Sardinia after Christmas. His email subject line read “Azure,” which immediately brought to mind Duke Ellington’s song of that name. Ellington described Azure as “a little dulcet piece which portrays a blue mood.” Blue was Ellington's favorite color. When his autobiography, Music Is My Mistress, was published in 1973, its dust jacket was brown. That had been his least favorite since 1935, for he was wearing a brown suit on the day his mother died.

Professor Longhair
Will Howcroft / Will Holcroft Photgraphy

My passion for New Orleans music ramped up to infatuation on July 3, 1973, when I heard Professor Longhair for the first time in Central Park.  The experience still stands as the single greatest unanticipated musical discovery of my life.  I knew nothing about Fess at the time and it’s unlikely I’d heard him on record.  The bulk of the pianist’s recordings had been made two decades earlier and by the early 60’s he’d fallen into obscurity, spending the next decade working odd jobs and gambling.  But his single, “Go to the Mardi Gras,” remained a seasonal favorite in the Crescent City, and in

Jazz Beat
Heinrich Klaffs / CREATIVE COMMONS

Jazz Beat 44 is devoted to Tom Reney's appreciation of the blues singer and guitarist T-Bone Walker.

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